Paper Marbling with Anna Bugbee – CLASS FULL

7 Jan

Saturday, February 19, 2022 Workshop starts at 12:00 p.m. We’ll marble paper until 4:00 p.m.

Workshop fee: $100.00 includes all your materials. Saltgrass Members 20% off workshop fee.

Learn the ancient Japanese art of Suminagashi! 

Suminagashi, or “floating ink” is the process of marbling plain paper with water and ink to transform it into beautiful sheets of decorative paper. It originated in Japan as early as the 12th century. Students will learn techniques for making their own marbled paper. These sheets make great end papers for book binding or portfolios, or can stand as works of art on their own.

Anna Bugbee learned the process while working with Yukari Hayashida, a master of Japanese book and paper arts, during a two week long Japanese book making workshop at Penland school of crafts. 

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How to Register: Contact Stefanie Dykes @ stefanie.dykes822@gmail.com

  1. Stefanie will send you a Square invoice for a $25.00 non-refundable deposit. The deposit is used to purchase your workshop materials. Workshop balance will be due the first day of class. 
  2. Stefanie will also ask to see your Covid-19 vaccination card. Saltgrass Printmakers follows CDC health & safety guidelines and recommendations. Since instructors and participants will be moving around in the shop, plan on wearing a mask during the workshop.   

Cyanotypes – Sunshine Printmaking

27 May

Instructor: Haylee Canonico

Sign up with UofU Continuing Education Lifelong Learning

https://continue.utah.edu/lifelong/class/llart_256_cyanotypes_printmaking_with_the_sun

Did you know the first photographically illustrated book was made using cyanotype? Cyanotype is a traditional, photographic process that creates a blue (cyan!) image using a chemical solution and ultraviolet rays from the sun. Contemporary photographers, printmakers, painters, and all sorts of creators love this method for its deep blue tones. Join a local artist and printmaker to learn how to create a cyanotype print by using objects, drawings (hand-drawn or digital), or photographic negatives. Your instructor will demonstrate how the process works and show you how to experiment with a variety of materials. Next, you will learn how to process and develop your image into a final work of art. You will not only leave with a uniquely beautiful set of prints but also a new method to use in your art practice!

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Workshop starts March 30, 2022.

Haylee Canonico is a Salt Lake-based printmaker and member at Saltgrass Printmakers. She received a BFA in painting/drawing and a BA in art history at the University of Utah in 2018. Haylee’s primary mediums are screen printing, cyanotype, lithography and intaglio. Haylee has exhibited locally and nationally, as well as participated in Salt Lake art markets. Her work explores our relationships to the natural world and complexity of the environments that surround us. 

What is a cyanotype? 

Cyanotype is a photographic process creating a blue (cyan!) image by exposing a film negative to a chemically coated paper or fabric to ultraviolet rays from the sun. Cyanotype was one of the first photographic printing processes invented in 1842 by the astronomer and scientist Sir John Herschel. Anna Aktins published one of the first photography books using cyanotype to study botanical specimens. Today, photographers, printers, painters, and all sorts of creators (like us) love this method for the deep blue ones. 

This is an all levels class. Everyone is welcome, no experience needed.

National Poetry Month – April 2021

18 Feb

We’re printing in March to be ready for April’s National Poetry Month!!

This April will be the 25th anniversary of National Poetry Month in the United States. For Saltgrass Printmakers, it will be our 4th annual poetry and letterpress event. During March, we are inviting everyone to come print their very own original poem!

Setting type and printing with the Showcard press is super easy to learn!

We will be on hand to help you compose, set and print your poem. You will leave with your poem printed as a broadside, poster or small postcards.

(Paper size will depend on the type size you choose.)

For health and safety, we will keep the working sessions to two individuals with an instructor on hand to help facilitate. Each session will begin at 11am. Wear a mask. Bring a poem. We will have sanitizer at the door.

There are several sessions available. To register contact Stefanie Dykes at stefanie.dykes822@gmail.com.

Cost per session: $25.00
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Available working sessions can be schedule on Tuesdays, Fridays and Saturday hours 11:00 am to 3:00 pm each day. $25 includes access to vintage wood and lead letterpress type, ink and paper!

Tuesdays, March  2, 9, 16, 23 & 30

Fridays, March 4, 11, 18, 25

Saturdays, March 6, 13, and 20

    

Yeah, we’re not poets either!

Don’t know where to start. Try writing a Lune poem.

A Lune poem is an adaptation of the Haiku poem.
Created by poet Robert Kelly, the lune is a 13-syllable, self-contained poem that has 5 syllables in the first line, 3 syllables in the second line and 5 syllable in the final line.

There are no other rules.

Steamroller Mandala Block Party Update

1 May

On Saturday, September 11, 2020 Saltgrass Printmakers hosted a Steamroller Mandala Block Party! We had a blast!!

A HUGE heartfelt Thank You to all the participating artists!!

Thank you to all the onlookers who applauded and oooh’d & aahh’ed with each print pulled. 

Thank you to Grey Skunk Inc. for pre-cutting all the mandala woodblocks shapes!

Thank you to our sponsors for their continued support; Utah Division of Arts & Museum, Salt Lake City Arts Council and Salt Lake County Arts ~ ZAP grant programs. 

We are grateful for Golden Artists Colors Inc. for their generous donation through their Working Artists program.  (Shout out to Stacy Phillips for nominating Saltgrass Printmakers.)

Saltgrass Printmakers couldn’t have put on such a successful event without each and everyone of you!  We really appreciate each one of you IMMENSELY!! 

Participating Artists: Anna Bugbee, Haylee Canonico, Elise Dunleavy, Stefanie Dykes, Anna Hansen, Katie Redd Hansen, Jenny Hinchman, Katherine Kenal, Jeanette Lukens, Lisa McAffee, Jared Nielsen, Mattie Ostberg, Theresa Otteson, Franz Penistan, Sandi Raines, Sherry Rauch, Madeline Rauch, Nathanael Read, Marissa Shaver, Tom Shrieve, Eric Tuttle, Rachel Urban, Sarah Winegar & Nancy Vorm.

We will be looking for a public exhibition space to display these mandala print. . . as soon as they dry.  😉

 

     

      

 
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Background: A steamroller event is rooted in the printing of large-scale woodblocks carved by local artists and community members. We bring the steamroller and print pre-carved blocks throughout the day on Tyvek paper. For this event, we will be printing 40” diameter mandala sets. Each set is comprised of three parts: a center, an inner ring and an exterior ring. Participants can choose which portion they would like to carve. On the day of the event, we will combine the individual parts to create a completed mandala print. We will mix and match the blocks all day long until we have exhausted the possibilities.

Why a mandala shape?  In the past, we have printed individual large scale woodblocks. During these quarantine times, we thought printing a symbol that is commonly found across cultures could help bring us back together as a community. Mandalas have historically been used as a means to orient (re-orient) oneself through a ritual or a devotional act. Maybe such a collaborative creative act might help to rebuild a sense of community? Why not?!

Subject matter? Each individual had creative control of their section of the mandala. Printmakers historically have had a long history as a democratic inclusive creative community. All voices, experiences and points of view were welcome.

Japanese Bookbinding and Suminagashi paper techniques with Anna Bugbee

18 Feb

In this class students will learn the ancient art of Japanese paper marbling, known as Suminagashi, and Japanese bookbinding. The first session will cover the basic techniques of Suminagashi and students will create their own marbled paper. The next session will go over different stab-binding stitches and students will create a set of traditional Japanese-bound books using their marbled paper for the covers.

Two Day workshop begins Saturday, April 25th, 2020. Class limited to six participants.

To register for the class contact Stefanie Dykes at sjdykes@aol.com.

Workshop fee: $145.00 Member’s cost: $116.00
Non-Refundable deposit of $25.00 will register you for the class and cover workshop materials

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Bookbinding session ~ May 2, 2020 11am to 4pm with a lunch break

We have a great coffee shop next door ~ Kings Peak for beverages and snacks.

Anna Bugbee
Anna Bugbee received a BFA in printmaking from New York University in 2015. She has been teaching bookbinding since 2011, and has participated in numerous book and print fairs across the US, including the LA Art Book Fair and the Yale University Art Book Fair. She has books in the collections of multiple institutions including Smith College, and Printed Matter Inc. in New York. She has also been the studio assistant for various workshops at Penland, Anderson Ranch, and Haystack craft schools.

Trishelle Jeffery at Utah Museum of Contemporary Art

4 Feb

All new exhibition openings at UMOCA

Friday, February 7 | 7-9 PM

Guerrilla Girls;
Utah Collects, featuring works by Lichtenstein, Murakami, Warhol, and more;
Trishelle Jeffery: Best Breasts in the West;
Pan American Identity Project; and 
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Trishelle Jeffery is a long time friend of the Saltgrass Printmakers and our resident Lithography expert.

Congratulations Trishelle!!

The Clamshell Box with Ethan Ensign

16 Jan

Each student will construct a double walled clamshell box covered in book cloth.

Learn how to make custom, professional portfolio boxes for your print (or drawing) series. We will cover the process from design to construction. These boxes are not only a beautiful way to present your artwork but allow for safe storage, travel, and viewing.

One-Day Saturday Session: February 15, 2020  11:00 AM  4:00 PM

Saltgrass Printmakers, 412 South 700 West, Salt Lake City Utah 84104

One-day workshop on the use of a board shear, book press and basic tools to construct a basic cloth and book board double wall clamshell box. Each student will construct a box using the materials provided. Handout will be provided that explains the cuts and techniques

In this class we will discuss: 

  • Measuring and spacing for box construction
  • The use of a board shear to quickly cut book board to accurate repeatable sizes
  • How to glue up box pieces using a book press
  • Discuss types of cloth and alternative materials for covering boxes
  • How to measure, cut and glue book cloth to wrap box trays and covers
  • Techniques for hiding book cloth seams on boxes
  • Use of book press to “nip” or adhere box trays to covers
  • Use of card stock to raise or lower the surface of box trays (for labels and inserts)
  • Tricks for fixing problems with construction

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Workshop Fee: $75.00 non-member/$65.00 member

Non-Refundable Deposit: $25.00. Deposit goes toward the purchase of materials for the workshop.

Class limited to five (5) participants.

To register for the class contact Stefanie Dykes @ sjdykes@aol.com

Instructor: Ethan Ensign, Scrub Oak Bindery.

Since 2000, Scrub Oak Bindery strives to bring creativity and excellence in craft to everything we do, whether conservation, fine binding, or fine press editions. The fine bindings issued from the bindery and its partners have been exhibited worldwide. Some of our fine press editions are housed in the most important institutions and private collections in the country, including the Library of Congress, the Beinecke Library at Yale and the Firestone Library at Princeton University. We bring a respect for the unique history of everything we work on and assess each job with care so that the treatment is always appropriate. The work we do here at Scrub Oak Bindery is much more than work, it is our passion.

Intaglio Printmaking with Nathanael Read

5 Dec

By the Canal, Nathanael Read, etching 2019

 

Discover the classic printmaking process of intaglio used by Rembrandt and Goya. Participants will create two artworks in a three session course. Participants will learn how to prepare a copper etching plate, transfer and etch an image into the plate, then print the image with an etching press. All materials included; steel twisted double point scribe and a Scraper/burnisher, copper, paper & ink.

Dates: Saturdays, January 18, 25, and February 5th, 2020

Time: 11:00 AM – 3:00 PM  There will be a break each session. Bring a snack with you or visit our next door neighbor, Kings Peak Coffee, for a beverage.

No experience necessary! Beginners and individuals looking for a ‘refresher’ course in basic intaglio printmaking are welcome to join the workshop.

Class Limited to eight participants.
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Workshop fee: $230.00

Non-Refundable Deposit: $50.00

To register for the class email Stefanie Dykes @ sjdykes@aol.com

Instructor Nathanael Read   

Nathanael is a working artist and printmaker. He graduated from the University of Utah in 2016, and works primarily with the intaglio process. He has shown across the state and nation, including institutions such as the Springville Museum of Art, the LDS Church History Museum, the Harnett Museum of Art at the University of Richmond.

Do you want to check out his artwork?! He has an upcoming show at Finch Lane Gallery, Salt Lake City in January.

Pop Up Workshop ~ Building a Collagraph

12 Nov

Pop Up Workshop ~ Building a Collagraph
Thursday, November 14, 2019
11:00 am to 3:00 pm
$50.00 includes materials
Beginners to Advanced
Contact Stefanie Dykes at sjdykes@aol.com

This is a last minute special topics mini workshop!

We will cover the basics of building a collagraph matrix. During this session, participants will have the chance to start constructing, gluing, mudding, taping, etc their collagraphs. Matrices will be taken home to be completed.

Print sessions will be scheduled during any Saltgrass Printmakers Open Press times at the student’s convenience. Open Press sessions are available Thursdays, Fridays or Saturdays 11:00 am to 4:00 pm and cost $35.00 plus any purchased paper.

Collagraph description: A collagraph print is built up from anything you can stick down onto a rigid support panel. We will use techniques that include relief, screen and intaglio to build up and tear down the surfaces until we have achieved our desired result. The materials used are so inexpensive that it opens up an amazing versatile print experience and offers so much space for exploration of form, texture and composition.

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